I’ve been crunching numbers over the past few days, trying to figure (excuse the pun) if I should take up a new pastime. This writing lark has cost me a lot of money one way or another (residential poetry masterclasses don’t come cheap), and I’ve managed to crawl to my 100th submission this year.
That averages out at less than nine submissions a month, which doesn’t sound too excessive. And included in ‘submissions’ are applications for grants, pitches for freelance articles, and several other writing activities.
I enter a lot of free writing competitions (there are a lot about), and journals and magazines are free to send to. But there are a good few competitions with a hefty entry fee which I’ve succumbed to. Like the Moth Poetry Prize – I wasn’t going to bother because it is €12 a pop, but the prize is a cool €10,000 (for ONE poem, yes you read right!). So I view it rather like buying a lottery ticket, you’ve got to be in it to win it, although the odds on me winning are slim – not because my poem is rubbish (well, I don’t think so), but because there’s so much (ahem) competition.
The kudos of winning, or being placed in competitions, is what drives most writers to enter – but the cash prizes can be significant, too. I’m writing this on a laptop I bought with the winnings from a short story competition 18 months ago.
I was helping to number the entries in the Strokestown International Poetry Competition at the beginning of December. Poacher turned gamekeeper, I found the behind-the-scenes activities a real eye-opener. Until then, I’d never really thought much about what happens after I hit the ‘send’ button.
In the case of Strokestown, the original poems are kept on file and two copies of each are printed to be sent to the judges. Before the poems leave the office, they are made anonymous, save for a reference number. It makes for a level playing field, so it doesn’t matter who you are or who you know, it’s the poem that counts.
The sheer volume of poems – sadly, I didn’t have time to read any of them – was mind-blowing. The competition attracts entries from all over the world, including India, Japan, Canada, USA, the UK, and of course, Ireland.
And get this, there were 1,261 poems vying for the top prize of €2,000, a writer’s retreat at Anam Cara, and publication in the Strokestown Poetry Anthology. That’s five reams of paper…
If you missed the annual Strokestown competitions (there was the Percy French competition for comic verse and an Irish language poetry competition, too), there’s another just opened to mark the Festival’s 20th anniversary. That’s in addition to the Roscommon Poet’s Prize and the School Poetry Prizes. Phew, that’s a lot of poems!
This new on-line only competition offers 20 picture prompts, and suitably inspired writers are invited to create up to 20 lines of poetry. There will be 20 prizes – a first of €100 and 19 of €20. And all 20 poems will be displayed alongside the images during Strokestown Poetry Festival, May 3rd – 7th 2018.
The judge is poet Noelle Lynskey, and details are on the website here.
Now, what’s there not to like about those numbers?
Oh, and for the day that’s in it (as they say around here): “Happy Christmas!”